Fifth studio album from Fullerton, CA's Social Distortion. White Light White Heat White Trash was originally recorded between 1995 and 1996, and marked a return to the band's hardcore punk roots. In the 18 years since the band first started playing they had moved towards a more melodic rockabilly punk sound. With this album the band came full circle and brought back the harder sound of earlier releases. Many consider White Light White Heat White Trash to be one of the best albums from. Includes the songs: 'I Was Wrong,' 'Don't Drag Me Down,' and 'Pleasure Seeker.' Eleven tracks in all.
Released by on limited edition white vinyl housed in a full color sleeve. colored vinyl pressing. music label: Epic 2016 reviewed by ninetwofour 09/2016.
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White Light, White Heat, White Trash is the fifth album by Social Distortion, released on September 17, 1996, by Epic Records. The album was produced by Michael Beinhorn. White Light, White Heat, White Trash is the last Social Distortion album to feature guitarist Dennis Danell who died on February 29, 2000, of a cerebral aneurysm at the age of 38. It is also the band's last release on Epic Records. The album received Social Distortion's highest chart position at the time, entering the Billboard 200 album chart at #27. Stylistically, the album is harder and considered a return to their punk roots. The title of the album is a play on the 1968 Velvet Underground album, White Light/White Heat.
The Velvet Underground record is known for being one of the most original, and probably the heaviest, records of the time, just as White Light, White Heat, White Trash for Social Distortion has a harder sound than those albums preceding it. Stylistically, the album signifies a shift back to Social Distortion's hardcore and punk roots. When this album was released, Social Distortion had been playing for 15 years. In that time, the music went from a hardcore Ramones-sounding punk to a more melodic Elvis/Johnny Cash rockabilly punk sound. With this album, Social Distortion came full circle to a harder sound which some consider their strongest album thus far. It was named #41 on Kerrang!' S 50 Greatest Punk Albums Ever.
Some old-school fans were upset when the first single, 'I Was Wrong', was widely played on the radio as record sales equals selling out to some of the elitists; however, Social Distortion is something of a legend in the punk genre and continues to receive respect and support. The lyrics on this album are as socially-conscious as most of their previous albums with 'Don't Drag Me Down' and 'Down Here (w/the Rest Of Us)'. There are also reflective songs such as 'I Was Wrong', 'Crown of Thorns' and 'Pleasure Seeker'.
There are a couple of more personal songs for Ness on the album like 'Dear Lover' and 'When The Angels Sing' which is said to be a tribute to Ness's grandmother. NetWrix Bulk Password Reset V1.1.19.0.
In 1996 Social Distortion released their 5th album, White Light, White Heat, White Trash. The line-up featured a new drummer Chuck Biscuits (Black Flag/Danzig and many more). White Light, White Heat, White Trash was the last album with Dennis Danell on guitar (he sadly died in February 2000). The album received Social Distortion's highest ever chart position, entering the Billboard 200 album chart at #27. It also includes radio favourites 'I Was Wrong', 'When The Angels Sing' and a superb cover version of the Stones' 'Under My Thumb'.
Stylistically, the album is harder and considered a return to their hardcore punk roots. Social Distortion is nothing less than a legend in the punk genre and still continues to receive worldwide respect and support. 180 grams audiophile vinyl.
20th Anniversary Edition. Limited pressing of 1.000 numbered copies on White Marbled Coloured Vinyl.
In the short history that is punk rock, icons have come and gone. We've witnessed the birth of the genre with bands such as the Stooges, the Velvet Underground and the Ramones. Punk began to take on an identity with the Sex Pistols and the Clash. But it may not have been until the immergence of what could be the third wave, band such as Minor Threat, Black Flag, Bad Religion and Social Distortion; did punk become regularly accepted by a wider scope of listeners.
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Social Distortion may be one of the most widely overlooked bands when the legends or icons of punk are examined. Maybe its because of the smaller catalog in comparison with counterparts such as Bad Religion. Nonetheless, many newer fans today may not realize the rift caused when Social D dropped 'White Light, White Heat, White Trash' in 1996. 'White Light.' Adopted a newer, heavier, and almost fresher style for Social D, very different from anything they had ventured to previously. The introductory track 'Dear Lover', shows flashes of previous rockabilly tendencies, yet has a very forceful effect with its powerful lyrics and heavy riffs.
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Most notably may have been the wide radio and television play of the album's first single 'I Was Wrong'. While many longtime fans may have become disgruntled with the public's acceptance of the newer Social D, the odd coincidence was that this single probably resembles the classic sound more than any other track on the album. The primary focus of the album is a mixture of feelings, from the deeply personal 'When the Angels Sing', a heartfelt homage from frontman Mike Ness to his late grandmother (whom would even wear the band's t-shirts while shopping in support of her grandson); to the socially conscious 'Don't Drag Me Down', with its moving lyrics about racism, nationalism and a gaggle of other issues. This is quite possibly one of the hardest songs the band has ever written. After Ness's battles with personal demons such as depression and drug addiction, there's no question as to where the dark feeling of the album comes from. (Even the cover of the Rolling Stone's 'Under my Thumb' has a sinister feel to it.) At the time of its release, I was puzzled as to where I stood with this album. It take Social Distortion in a direction that I was unfamiliar with them going, and made me question their stability.
However, with its passionate lyrics, laced with heavy undertones; this is unquestionable a milestone in the legacy of Social Distortion. Additionally, the new songs fused in live shows with older material make 'White Light.' Seem like a natural progression of a legend. If one looks again at the history of punk rock, a genre so filled with elitism, and unacceptance of change and progression, its amazing the astounding amount of support the scene continues to offer Social Distortion. If anything, Social D can be seen as the model band for others follow. Craft your own sound, perfect it, then use that sound to build onto what you've already created.
And thus is the formula for Social Distortion, and the culmination leading to 'White Light, Whit Heat, White Trash'.
This grouping gathers together all versions of the 'White Light, White Heat, White Trash' album, originally released in 1996, as well as subsequent repressings and bootleg versions. 'White Light, White Heat, White Trash' is the fifth album by American punk rock band, Social Distortion, released on September 17, 1996, by Epic Records. The album was produced by Michael Beinhorn. 'White Light, White Heat, White Trash' is the last Social Distortion album to feature guitarist Dennis Danell who died on February 29, 2000, of a cerebral aneurysm at the age of 38. It is also the band's last release on Epic Records. The album received Social Distortion's highest ever chart position, entering the Billboard 200 album chart at #27.
Stylistically, the album is harder and considered a return to their punk roots. The title of the album is a play on the 1968 Velvet Underground album, 'White Light/White Heat'. The Velvet Underground record is known for being one of the most original, and probably the heaviest, records of the time, just as 'White Light, White Heat, White Trash' for Social Distortion has a harder sound than those albums preceding it. It makes absolutely ZERO sense why this album is being reissued by MOV when they just released the exact same version only fives years prior. This has the same problems as the 2011 version: grainy scanned artwork, surface noise galore and an obvious digital file source for the pressing instead of the analog tapes. This is MOV's stock in trade for pretty much ALL their shoddy releases, which are far overpriced to begin with. Save your money and buy an original pressing (for virtually the same price if you look hard enough) and don't support this bootleg crap.